f Something From Nothing: Theatre SW Ohio Theater Blog

The personal web site of

Richard Ø Jones

The "0" was added in college because I was born without a middle name. Long story.

The Autobiography of Richard O Jones... More or less true stories from my life and times. A work in progress...

More collected works indexed here. Newspaper work, poetry, allegedly humorous essays, etc., as I can collect them. There have been many formats over the years, and most of it exists only in analog, so who knows when I'll get to that...

More...

Orange Blazes

Terrance Huff on MySpace.com
T-Minus Productions

UPDATES

Keeping an 'institution' fresh year after year

December 05, 2008

Shakespeare lives in the Roaring Twenties 'Scientology Pageant' needs further clearing

December 01, 2008

Humana Festival of New American Plays announces 2009 offerings

November 17, 2008

Playhouse offers up another light and fluffy

Those Horrible Herdmans

December 07, 2007

Who in the World is Ellie Greenwich?

November 30, 2007

A Very Nunny Christmas

November 22, 2007

Rha Goddess: "Low"

January 05, 2007

Human Race Theatre Company: I Am My Own Wife Cincinnati Black Theatre Company: "The Meeting" Know Theatre Company: Gompers Know Theatre Company: Gompers trailer

Keeping an 'institution' fresh year after year

December 05, 2008

Shakespeare lives in the Roaring Twenties Know gets 'bare'

March 28, 2008

Cincinnati Playhouse announces '08-'09 season

March 16, 2008

It takes a madman....

March 10, 2008

-- columns --

December 05, 2008

Keeping an 'institution' fresh year after year

Go! feature

Having played Bob Cratchit for two years prior to taking over the helm as the director for the Cincinnati Playhouse in the Park's production of Charles Dickens' "A Christmas Carol," Michael Evan Haney has been involved in what is now a Cincinnati tradition from the very beginning.

"It's really become a part of my life," he said. "I never thought I'd be involved in a play that would become a city-wide institution. When we started, we didn't even know there would be a second year, but even though it was not critically accepted, it was good in audience numbers."

Every year before rehearsals start, Haney goes back to the original novel and reads it — even though the adaptation uses nearly the same dialog word-for-word.

But he still looks forward to it every year with the goal of putting on a "crackerjack" performance.

"Other groups that do this often allow the quality to slide as the years go by," he said, "but that's just a sacrilege. Dickens is just a sacred as Shakespeare.

The key, he said, to keeping it real is to remember one thing.

"I wrote it at the top of my script: 'It's about Scrooge, stupid,'" Haney said. "The ones that are not successful are those that lose that focus."

For instance, some productions have made that into a lavish, show-stopping production number.

"But you have to remember Scrooge's involvement in the party," he said. "If he's not at the heart of it all, you're in trouble."

Local favorite Bruce Cromer will be humbugging as Ebenezer Scrooge for the fourth year.

"Bruce is a wonderful actor and his Scrooge is special because he never stops working on it," he said. "Each year, he finds something new and closer to the human soul of what Scrooge is.

"I call Scrooge 'the middle-age man's Hamlet' because he goes through just about every human emotion possible."

Also returning are Dale Hodges as the Ghost of Christmas Past/Mrs. Peake, Keith Jochim as Mr. Fezziwig/Ghost of Christmas Present, Todd Lawson as Young and Mature Scrooge, Gregory Procaccino as Jacob Marley/Old Joe, Andy Prosky as Bob Cratchit, Regina Pugh as Mrs. Cratchit, Wayne Pyle as Mr. Cupp/Percy, Tony Roach as Fred, Ron Simons as Mr. Sosser/Topper and Amy Warner as Mrs. Fezziwig/Patience.

"Almost everybody, from Scrooge on down, is a little richer this year and I see some nuances that I haven't seen before," Haney said. "It's like Shakespeare in that the text is so dense with so many levels that you can find all sorts of different ways to use them."

A lot of the production, however, remains exactly the same.

"It's a major decision to change anything," he said, "and you have to have meetings. We changed Marley's entrance a few years ago, and so had to change all the sound and technical cues."

how to go
WHAT: Charles Dickens' "A Christmas Carol"
WHERE: Cincinnati Playhouse in the Park
WHEN: Through Dec. 30
COST: $31-$59
MORE INFO: www.cincyplay.com

Bruce Cromer as Ebenezer Scrooge/Sandy Underwood

Shakespeare lives in the Roaring Twenties

Go! feature

The Great Gatsby meets the Bard of Avon as the Cincinnati Shakespeare Company updates the comedy "Twelfth Night" to the Roaring Twenties.

Directory Jeremy Dubin said he hit on the idea over the summer while reading F. Scott Fitzgerald's classic novel of a man who re-invents himself so that he can work his way into the upper reaches of society.

"I was struck by the similarities between the characters," he said, "and of what comes out of trying to change your fundamental nature.

"And I felt that the scenes with the clowns Toby Belch and Feste have a vaudeville flavor that would work nicely in this kind of format."

The official synopsis:

After a shipwreck, Viola (Sara Clark) finds herself separated from her twin brother Sebastian and alone in the city of Illyria. Bereft at the loss of her brother and forced to make her own way in the world, she disguises herself as a man, "Cesario," and takes a job in the court of Duke Orsino (Rob Jansen). Orsino is hopelessly in love with the Lady Olivia (Kelly Mengelkoch), who has refused all of his previous advances. When Orsino sends "Cesario" to Olivia to plead his case one more time, Olivia falls instantly in love with "Cesario". Meanwhile, Viola has fallen in love with Orsino, but cannot express her desires without revealing her true identity. The classic love triangle becomes further complicated when Viola's twin brother, Sebastian (Kristopher Stoker), arrives in Illyria and is mistaken for "Cesario." As the romance unfolds, Olivia's drunken uncle, Sir Toby Belch (Matt Johnson), conspires with Olivia's servants Maria (Sherman Fracher), Feste (Christopher Guthrie) and Fabian (Billy Chace) to play a practical joke on Olivia's stuffy butler, Malvolio (Jim Hopkins).

"'Twelfth Night' has so many story elements that resonate with the Roaring Twenties," Dubin said. "Women were becoming more independent, dressing in a more masculine fashion, and taking work outside the home, just as Viola is forced to do.

"Prohibition created a black market in bootleg alcohol that led to a lot of outrageous behavior, a perfect opportunity for Shakespeare's drunken rascal Sir Toby Belch to make mischief. And the birth of jazz created a free-wheeling atmosphere where the desire for true love was often at odds with the social mandate to be the life of the party."

While it's become common practice to put Shakespeare's stories in more contemporary environments, Dubin points out that it seems Shakespeare did the same thing in his day, with plays like "Julius Caesar" making topical references to things that Caesar would not have known about — a striking clock, for instance.

"He worked within a certain visual vocabulary, using his contemporary references to place a character's social status to make it relatable to his audience," he said. "We have our visual vocabulary, too, and these plays are not museum pieces, but relevant, living theater."

The danger, then, comes when the production distracts from the script, to become cute or irrelevant to the action.

"It's a trial and error process," Dubin said. "We're careful not to force things into the text that aren't there. You want to make sure that you don't make it something it's not."

_______________________

how to go
WHAT: "Twelfth Night" by William Shakespeare
WHERE: Cincinnati Shakespeare Company, 719 Race St., Cincinnati
WHEN: Through Jan. 4
COST: $26 adults; $22 seniors; $20 students
MORE INFO: (513) 381-2273; www.cincyshakes.com

photo: Rob Jansen and Sara Clark


December 01, 2008

'Scientology Pageant' needs further clearing

Go! review

The title is not only long, but hilarious in its own right: “A Very Merry Unauthorized Children’s Scientology Pageant,” Know Theatre of Cincinnati’s off-the-hook holiday offering.

If only the production lived up to the promise.

The Pageant won an Obie Award for its off-Broadway premiere, with predictions of a cult phenomenon as a dead-pan musical rendering of the life of L. Ron Hubbard, the science fiction writer who was fond of saying that his craft was a waste of time when a guy could get rich by starting his own religion. Then he started a religion and got rich (and I am confident that I will get a stern letter from a Scientologist for writing this — it’s happened before).

The premise, and the hoped-for charm, of the Pageant is that it uses the trappings of a church or school Christmas pageant, calling to mind ubiquitous “The Best Christmas Pageant Ever,” in telling this story, substituting Hubbard’s life and doctrine for that of Jesus.

But this show is not about making a pageant, but a parody of one, and as such falls victim to the imitative fallacy by being self-consciously, but not skillfully, exactly what it should only be pretending to be.

This is the second show of its kind in the Know season. But with “Reefer Madness,” with the premise of being a school production warning of the evils of marijuana, there was constant winking and nudging at the out-dated propaganda. When the character did something cheesy and over-the-top, we knew that it was a comedic choice (whether it was funny or not).

But the humor doesn’t work when the production doesn’t have something in it to let us know that they’re trying to sing off-key, rush their lines or hesitate on a cue. These things could happen with comedic intent and result, but there’s nothing here to clue us in that this isn’t just a poorly-cast and under-rehearsed show, but a parody of one. There’s no wow factor, no moment when we are awed by either the talent of the cast or the brilliance of the material. We may have had both, but the production seems so poorly-conceived and tossed-together that nothing stands out. Since we never see the man behind the curtain, never get a sense of his presence, we presume he’s not there. Consequently, the show doesn’t seem campy and silly, but pathetic.

_________________________________

how to go
WHAT: “A Very Merry Unauthorized Children’s Scientology Pageant” by Kyle Jarrow
WHERE: Know Theatre of Cincinnati, 1120 Jackson, Cincinnati
WHEN: Through Dec. 28
COST: $12
MORE INFO: (513) 300-5669; www.knowtheatre.com

Continue reading "'Scientology Pageant' needs further clearing" »

November 17, 2008

Humana Festival of New American Plays announces 2009 offerings

The Actors Theatre of Louisville has announced the plays being produced for the 33rd annual Humana Festival of New American Plays, scheduled for March 1-April 11.

The annual festival will feature a diverse array of work from 18 playwrights.

"The Humana Festival is a celebration of the diversity and strength of new American theatre," said Marc Masterson, the company's artistic director, in a press release announcing the line-up. "The artists in this year's festival represent a cross-section of our culture and include new voices as well as some of the most established and respected writers and directors working in the theatre today."

Six full-length plays provide the heart of the festival:

- "Wild Blessings: A Celebration of Wendell Berry," adapted for the stage by Masterson and Adrien-Alice Hansel from the writing of Wendell Berry. An exploration of the earth, its citizens and the impact of each on the other. This world premiere brings the work of nationally acclaimed poet, novelist and ecological visionary Wendell Berry to the stage in a celebration of words, music and a life well lived.

- "Absalom," by Zoe Kazan. At a Berkshires country house, the children of an aging literary giant gather for a party celebrating the release of their patriarch's tell-all autobiography. When an unexpected guest appears, this family—writers or editors all—must reckon with their stories and who owns them, and with the secrets, betrayals and deep bonds that define what they'll do for love.

- "Under Construction" by Charles L. Mee, created and performed by SITI Company. A collage of America today, inspired by Norman Rockwell and contemporary installation artist Jason Rhoades, Mee's play juxtaposes the fifties and the present, red states and blue, where we grew up and where we live now—a piece that is, like America, permanently under construction.

- "Slasher" by Allison Moore. When she's cast as the "last girl" in a low-budget slasher flick, Sheena thinks it's the big break she's been waiting for. But news of the movie unleashes her malingering mother's thwarted feminist rage, and Mom is prepared to do anything to stop filming...even if it kills her.

- "Ameriville' by UNIVERSES, a cross-cultural, multi-media theater collaborative. UNIVERSES puts the state of the Union under a microscope—race, poverty, politics, history and government—examining our country through the lens of Hurricane Katrina and New Orleans. "Ameriville" combines an innovative mix of poetry, music, movement and drama to get to the heart of this American tragedy.

– "The Hard Weather Boating Party" by Naomi Wallace. Three men, almost strangers, meet in a hotel room to plan an ugly crime against a powerful adversary. Inspired by research on Louisville's Rubbertown neighborhood, Wallace's play explores the struggle between industrial greed and growth, and the health of the community.

This year's festival also includes a comic anthology showcasing the Actors Theatre Acting Apprentice Company and three 10-minute plays, to be announced.

"Over the past 33 years, the Humana Festival of New American Plays has introduced more than 350 plays into the world," said managing director Jennifer Bielstein. "In this time of economic challenges, the arts provide a vital way for us to examine our changing world."

Humana Festival single ticket prices range from $24 to $55 and will be available Nov. 25.

For information or reservations call (502) 584-1205 or visit Actors Theatre's website at www.ActorsTheatre.org.

Playhouse offers up another light and fluffy

Go! review

If you're looking for scintillating insights on the battle of the sexes (yes, it still rages), then "I Love You, You're Perfect, Now Change" probably isn't the place to go.

The musical revue takes a tired-but-true look at the battle, keeping it very much in the man-Mars/woman-Venus vein.

Unless you don't know that women like to shop and go to tear-jerking movies, that men like sports and action/adventure flicks, and that couples get goofy when they have a baby, there's not much to learn here (Hope I didn't spoil it for you).

The upside is that the show is nicely produced (with the exception of some technical issues on opening night) and beautifully sung, the cast led by Bob Walton, who might be remembered by Cincinnati audiences as Pseudolus in the Playhouse's production of "A Funny Thing Happened on the Way to the Forum" a few years back.

While some of the comedy is over-done, better placed on sketch comedy show than the legitimate stage, there's also a poignant moment where a woman creates her first dating video that strikes a few emotional nerves.

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HOW TO GO:
"I Love You, You're Perfect, Now Change" by Joe DiPietro and Jimmy Roberts
Through Dec. 31
Cincinnati Playhouse in the Park
$51-$61
(513) 421-3888; www.cincyplay.com

 

October 24, 2008

Not a musical: "Love Song" is a quirky comedy


Go! review

Joseph Parks as Beane in the Playhouse in the Park's production of "Love Song." Photo by Sandy Underwood.

Last summer, we saw Joseph at the Second Stage Theatre in New York where he starred in "Eurydice," a play that the Know Theatre is prooducing next spring. Small world..... 

Continue reading "Not a musical: "Love Song" is a quirky comedy" »

October 22, 2008

Ensemble shines in 'Seafarer'

Go! review

Joneal Joplin, John LiBrizzi and Adrian Sparks in "The Seafarer" 

Continue reading "Ensemble shines in 'Seafarer'" »

A palpable 'Hamlet'

Go! review

Matt Johnson as Hamlet; Justin McComb as Guildenstern Rosenstern Rosencrantz; Billy Chace as Rosencrantz Guildencrantz Guildenstern. 

Continue reading "A palpable 'Hamlet'" »

'Ears on a Beatle' plays with history

Go! review

Ryan Wesley Gilreath (l) and Tim Lile (r) 

Continue reading "'Ears on a Beatle' plays with history" »

October 08, 2008

Know Theatre presents 'a play with sand'

Go! feature

 

CINCINNATI — Know Theatre of Cincinnati has joined forces with four other theater groups in the United States to present the world premiere of Sean Christopher Lewis' drama "Militant Language: A Play With Sand."

The play, which the author describes as "a play about responsibility in a world that doesn't make sense anymore," begins with the strife erupting after a 16-year-old boy disappears from his Iraqi village. A native in search of the missing boy is taken captive, and the American soldiers must hide him or risk losing their own lives. The soldiers battle wars within themselves as they are forced to endure loneliness, fear, betrayal and pain.

The play examines the consequences of war and the effects it has on soldiers and their relationships, Lewis said.

"With the upcoming election in November, the situation in Iraq will inevitably be a major deciding factor for many Americans," said director Jason Bruffy. " 'Militant Language' provides an entertaining, yet dark, thought-provoking look at the brave Americans that go overseas in defense of human liberties."

"The characters are a microcosm of our world. They come from all over," Lewis said. "They have to deal with others' prejudice and preconceptions. Class exists in the Army, just like everywhere else."

Lewis' "I Will Make You Orphans" was performed in 2004 at the first Cincinnati Fringe Festival and went on to tour for two years in the U.S. and Canada.

"It is a tribute to Cincinnati to have such a talented emerging playwright such as Sean Lewis choosing to premiere his play here," Bruffy said.

how to go

  • WHAT: World premiere of "Militant Language: A Play with Sand" by Sean Christopher Lewis
  • WHERE: Know Theatre of Cincinnati, 1120 Jackson St., Cincinnati
  • WHEN: Oct. 11 through Nov. 16
  • COST: $12
  • MORE INFO: (513) 300-5669; www.knowtheatre.com

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